Tag: intimacy

  • Why Someone Warm to Everyone Turns Cold With You

    Everyone describes him as warm and easy to talk to. His coworkers say he listens, laughs, and helps without being asked. But at dinner with you, he answers in four words, looks at his phone, and shows no interest in what you are saying. The difference leaves you wondering which version of him is real.

    You ask what he’s thinking about and he says nothing. Later you lie in the dark and do what you always do, which is look for the fault in yourself first. Maybe you need too much. Maybe you heard a tone that was never in the room. Maybe you’re just too sensitive.

    Hold on to that last one for a minute, because there’s an explanation that goes back to the 1940s, and it doesn’t start with you.

    Ronald Fairbairn, a Scottish psychoanalyst, had a name for people who keep others at a distance even while they seem warm. He called the pattern schizoid. The word comes from the Greek for “split.” It can sound like the name of a severe mental illness, but Fairbairn also used it for something he saw in ordinary people: a mind divided in two to keep itself safe. In the man who is warm at work and cold at dinner, his coworkers meet one half, and no one is allowed near the other.

    Fairbairn said this split shows up in three ways. Read them slowly, because each one probably explains an evening you have already lived through. I’ll write “he” throughout; swap it for “she” if that fits your life better.

    Why does nothing you say ever get through to him?

    The first is a quiet, unshakable sense of being right. Fairbairn’s word for it was omnipotence, which literally means being all-powerful, the way God is. The man at your table would never say it out loud, but inside he feels as if he were God, so to him, whatever he knows and believes simply cannot be wrong.

    For a man like this, what he believes does not feel like an opinion. It feels like reality itself. So when you remember something differently, or tell him it felt different to you, he doesn’t hear one more way of looking at it. He hears an attack, as if you had called him a liar, and he defends himself instead of thinking about what you said.

    You already know how that feels from the inside. You went in to talk something through and somehow ended up in a courtroom, where you explained and he defended, you softened and he defended again. You tried explaining it more clearly, and then tried again. But the problem was never how well you explained. He cannot bear the idea that there could be another way of seeing it.

    So why would anybody need to be that right? Fairbairn’s answer is strange, and it’s worth sitting with. In his view, being divided in two and feeling that the world is not quite real are the same condition. People and events never feel fully solid to a man like this. When nothing out there feels solid, the one thing that still does is what goes on in his own head. That is where the feeling of being God comes in: his own thoughts become the one thing he can be sure of. The less real the world feels to him, the harder he has to be right about it.

    Why does he move away as you move closer?

    The second is distance, and underneath it sits fear. Getting close to another person genuinely frightens him. Without realizing it, he expects anyone who gets close either to leave him or to take control of him. Here’s the part that makes it almost impossible to discuss — he doesn’t know he’s frightened at all. Ask him, and he may tell you he has just never needed people much. The fear never looks like fear. Instead he wraps himself in mystery and becomes hard to read.

    You can’t tell what kind of day he’s had, and a real question gets you back a shrug, a joke, or an answer to some other question. Step toward him and he is already a step further back.

    Early in the relationship, the fact that he said so little about himself may have looked like depth. You imagined a rich inner life in him, waiting to be shared, and thought that one day, as you grew closer, he would let you in. Fairbairn saw the mystery as armor. Because he never shows what he feels or why he does what he does, no one can get close enough to hurt him.

    Months later you finally work out what the mystery actually was: a line drawn without a single word. Come this close. No closer.

    The distance also feeds the first feature, the need to be right. Because he never lets anyone all the way in, nothing anybody says really reaches him — not the praise, not the warning, not the apology. With nothing from other people to steady him, all he has left to lean on is being right. The less he takes in from other people, the harder he leans on it, and the longer this goes on, the more certain he becomes.

    Why can a quiet man nod along and still change nothing?

    The third is living entirely inside his own head: his own thoughts and his own view of things count for more than anything anyone says to him. This one surprises people. You would expect it mostly in loud, self-centered types, but quiet, inward people often have more of it.

    The loud version is easy enough to spot. He takes up all the air, fishes for compliments, and wants the whole day arranged around him. Ten minutes in, you have him figured out: he thinks he’s the only person in the room who matters.

    The quiet version is much harder to spot. He does not raise his voice or ask for praise. He listens, nods, and lets you finish. But after an hour of talking, nothing has changed: not what he thinks, not what he does. He never tells you what is on his mind, either, so you walk away not knowing whether he agreed to anything at all. He looked open the whole time, and none of your words got through.

    That’s a different order of stubbornness. It doesn’t need to win the argument. It simply never has the argument.

    Why is the quiet one’s stubbornness so hard to see, even for him?

    Because the loud one keeps running into things. He charges at the world and the world pushes back — a job ends, a friend stops calling, somebody finally tells him to his face what he’s like. None of that is pleasant, but all of it is a mirror, and one day he might actually look into it.

    The quiet one collides with nothing. He stays polite, stays useful, stays well liked, so nobody ever has a reason to push back. No crash means no mirror. The pattern isn’t any smaller inside him; it has simply never been seen, not even by him, and it lasts longer for exactly that reason.

    Why does it only happen with you?

    This is the part I would underline twice. None of the three has to show up in everyday life, and Fairbairn was careful to say so. A man can know he carries them or have no idea at all. He can seem fine most of the time and then, in one area of his life only, the whole thing switches on.

    Sometimes that area is power. Watch how he handles a boss, or somebody who works under him, and there it is, sitting inside a life that looks fine everywhere else.

    Most often, though, the area is love.

    This is why a man can be generous with strangers, patient with coworkers, and emotionally cold with the person who loves him. Casual relationships do not require him to reveal himself or depend deeply on another person. Intimate love does. So the fear that stays quiet with strangers and coworkers comes up with you, because you are the one who is close.

    That’s why the man his coworkers describe and the man across the dinner table from you will never add up to one person. Neither description is a lie. They see him from a distance, and you see him up close.

    So are you the sensitive one?

    Not necessarily. Other people speaking well of him does not make the coldness you have felt any less real.

    Look at what you’ve been quietly doing each time he goes cold. You count it against yourself — too needy, too watchful, too much. Notice that habit, because the cause you keep looking for in yourself lies somewhere else.

    The trigger is intimacy. He goes cold with you not because you matter less than his coworkers, but because you are close enough that he would have to show his feelings and lean on you. His coldness protects him from that closeness. It is not a measure of your worth.

    But isn’t a bit of this in everyone?

    Yes. And that’s the part to keep.

    These three aren’t a checklist for labeling somebody so you can be finished with him. Being sure you’re right, keeping your distance, living inside your own head — everyone carries some of each, in different amounts, and usually in one particular area of life. If you read this only as an article about him, the same problems will keep coming back between the two of you.

    So go back over today and find one moment when you nodded along while, inside, you were quietly saying no. Just one. Don’t work out who was right; that’s a different job for a different evening.

    Then write it down, one line, in whatever words turn up: “I nodded along about the weekend plans, and inside I was saying no.”

    It’s small enough to feel pointless. It isn’t. Think back to the quiet man. What he carries inside never runs into anything, so it is never seen, not even by him. A no you say only inside your head is the same. Nobody sees it, and even you barely notice it. Once you write it down, it is on the page, where you can see it. That one line is a first step out of your own head.

    References

    • Fairbairn, W. R. D. (1940). Schizoid Factors in the Personality. In Psychoanalytic Studies of the Personality (1952). London: Tavistock.

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    Written by Kim Hyung-keun — Director, Seoul Addiction Psychology Institute · Director, Institute for Contemporary Psychoanalysis · Object relations psychotherapist and supervisor, 26 years in practice and teaching. Counselling Board